Once I finally settle down on an idea for a painting, I get impatient and want to see the end result before I’ve even started. In my attempt to slow down and be more deliberate about my paintings, I am attempting to preplan them, by manipulating the reference photo to strengthen the design, and test colours.
One of the problems with trying to get mountain reference photos for paintings is that our Canadian forest is heavy. Unless one can get a special vantage point higher up or further away, which is usually not easily achieved (especially the further away one if you are right in the mountains), finding an interesting composition is difficult.
Take the following photo as an example. I wanted to paint the lakeshore and canoes. In the original you couldn’t see the distant slope and mountains. It was just a solid block of trees. I suppose one could make an interesting painting from that if you made the subject about the trees themselves, and found some sort of rhythm to them.
I’m not so keen on evergreens and think the overall photo would be quite boring as a painting. Previously I probably wouldn’t have attempted it and ended up with a dud to throw away. Now, I’m trying to work out the potential problems before I even get to the canvas.
I want to reduce the number of canoes, open up the forest and create a path to guide the eye through the painting, and give some colour to the sky. So I attempted to illustrate these ideas digitally on top of the reference photo, playing with both the design and colours. It’s just a rough roadmap to help me visualize what I want.
Now to see if this pre-planning results in a successful painting. What changes would you have made if you were painting this?